This is the continuation of a series of posts – select Category LIFE AS A BAND MEMBER to read in sequence.
In early 1981, Howard’s family, at this point, had moved away and he was living on his own with a girlfriend. Neither of us can remember when or why he quit Second Chance but he left the band.
Here is how he tells it –
I was a completely aimless youth. I don’t think I ever quit, but it just happened. I wasn’t really a musician and I did not think I was making much of a contribution. I moved to Belton (Texas) where I worked at a Pizza Inn. I left there in Spring of 1982 and went to Virginia where my parents were. That’s when I sold my Rickenbacker 4001 bass. I enlisted in the Coast Guard in 1982, got out in 1986, went to the University of Virginia and then to Law School in Northern Kentucky, and I’ve been here since 1990.
Second Chance was now a four piece. Second Chance, version 2.0, consisted of me, Dennis, Mick and Steve. Steve moved to bass and I picked up the guitar full time. Things started to get busy then.
Once again, in the Spring semester of 1981, we played the Ellison High School (EHS) Commons Area. At this point we were doing a lot of Rush songs including a medley of 3 or 4 songs strung together. However, our set at EHS started with Rush’s Xanadu.
The beginning of Xanadu has tweeting birds and an underlying synth drone which we wanted to include via a recording from the album (vinyl) onto a cassette tape. We would then hook up a cassette player to our mixing board and play the cassette tape with the recorded intro. Eventually the intro would fade out while Dennis replicated an intricate intro lick seamlessly and Mick replicated the drum hits seamlessly. Steve and I would join in on cue with bass and guitar chords. It was an epic start to our gig.
Our playing meshed seamlessly with the tape intro, EXCEPT… our sound guy, George, forgot to stop the cassette tape player. About 30 seconds into us playing Xanadu we hear a completely different song playing along with us through the main speakers. The cassette tape we had used to record the Xanadu intro had previously recorded music on it. I don’t recall what song started playing along with us but George quickly realized what was happening and stopped the cassette tape player. I don’t think many people realized what had happened and we continued playing Xanadu.
Mick had expanded his drum set to nearly Neil Peart proportions and had become an accomplished drummer able to imitate Neil Peart fairly well. Steve had taken to the bass and was able to play all those intricate patterns Rush bassist Geddy Lee played. Dennis was an Alex Lifeson disciple and could mimic his playing and sound at will. As for me, I could sing like Geddy Lee while they played and add guitar, filling when there were lead breaks that required a second guitar. Give a listen to Rush’s Xanadu from the A Farewell to Kings album and you will understand just how much better we had gotten since Howard had left.
Of course we still played old AC/DC, Ted Nugent and Judas Priest. Dennis would get his spotlight with Nugent’s Stranglehold. During AC/DC’s Sin City, Steve and Mick would trade instruments. Mick learned the simple bass line so he could get out front and get some attention from the crowds. Steve kept a simple beat for the song.
We had so much fun playing EHS. We looked forward to futures gigs. When we weren’t working our day jobs we were hanging out together at Mick and Steve’s parents house. We would practice in a tiny bedroom, a step up from the garage, and during breaks we would watch old reruns of Star Trek. It was one of the best times of my life.
In the summer of 1981 my family moved away. I wanted to finish my associates degree in Computer Science, but I really wanted to stay with the band and my girlfriend (now wife), so I rented an apartment. I was working on the Army base at a Shoppette which was essentially a 7-11 convenience store on the base. I made enough money to pay rent and keep my car gassed up. Things were going well for the band too.